A lot of people ask me what song I wish I had written. C'mon, that's easy — “Happy Birthday.” That's a useful little song, isn't it? You start singing “Happy Birthday” and things start happening. People start smiling, they start singing along. Well, that's what rock 'n' roll is, if it's done right. It's useful. You do it right, and people generally have a pretty good time. They go to the concert, they talk to their friends, they drink beer, and hopefully they go home and have sex. That's what rock 'n' roll is about; that's what it's always been about — that's the deal. But a guy like Beck, he doesn't know that because, you know, he's Beck. He thinks it's about him. He thinks that when he's walking down the hallway before the show, the people out there are thinking about him walking down the hallway, because he's the artist. And I'm like, “Beck, I hate to break this to you, but for most of those people, you're the entertainment. They're not thinking of you. They're thinking of whether they're going to have sex tonight. So entertain them and help them have sex.” And so, at the beginning of this tour, Beck wanted the shows to be very serious. He's a serious artist, he's come out with a serious album, he wants to do a serious show. And I'm like, “Beck, what are you, Elvis Costello? People like Elvis, but secretly they think he's boring. You're Beck. You do that funny little hipster dance. People love the hipster dance. If you don't do the hipster dance, people are going to be disappointed. So do the hipster dance.” And Beck's like, “But I want these shows to be serious.” And I'm like, “Beck, I go out there and pour fake blood all over myself while singing 'Happy Birthday.' The least you can do is dance.”
Wayne Coyne of The Flaming Lips, from Have You Met The Lips? by Tom Junod, Esquire Magazine, March 2003.