I enjoyed myself both times -- mostly because dad-time with the individual daughters-who-are-now-adults is a great privilege, especially when it involves watching Star Wars. But my pleasure was also the result of a bazillion movie people who worked incredibly hard to make an entertaining flick that people would care about -- and my daughters' love it/hate it/no real middle ground reactions are confirmation, to my eyes, that the
Alright, SPOILERS AHEAD.
|Don't say I didn't warn you.|
Leia survives a skinny-dip in deep space. Nobody in the family liked this scene, so my question isn't "How?" but "Why?" This miracle adds nothing to the story, except perhaps to spritz the woman with a touch of gravitas that the actor (God rest) was unable to muster on her own.
And while we are on the matter of the late (and GREAT) Carrie Fisher, it seemed to my eyes that her CGI double was brought in to substitute for a couple of scenes -- her hospital-gown appearance at the breached bridge door is just one example. I disliked CGI Carrie in Rogue One, but I'm slowly coming around on that score. It's probably just another compromise nudged along by the increasingly diminishing standards a viewer must adopt in order to enjoy Star Wars Universe (SWU) story-telling.
The cruiser is completely out-of-gas, but nevertheless makes a Kamikaze light-speed jump through the enemy's biggest ship. Nothing to add, really -- there are other "wait-a-minnits" but this one is a personal peeve.
The elder loved the movie -- and, yes, there is indeed much to love about it. There are a couple of poignant character arcs, particularly with Poe and Finn. I initially thought the romance between Finn and Rose appeared out of nowhere, but the second viewing revealed a persuasive progression. Lessons get learned in a manner that has emotional depth and subtlety.
The action sequences walk the tightrope between adolescent "wow" and adult "yikes." The most emotionally charged fight is the choreographed chop-sockey extravaganza between the Imperial Guard and Rey and Ren. This occurs at the two-thirds mark of the movie, which leaves the final third of the movie feeling a bit slack, but oh well.
2D vs. 3D -- I hate to say it, but 3D wins. It brings out an articulation that heightens the sense of scale and drama.
The Politics -- Star Wars politics have always been of a piece with the story-telling, really: confused and contradictory and utterly vulnerable when exposed to the lightest scrutiny. I mean, in what universe is equating the Vietcong with stick-wielding teddy-bears considered a compliment? If the political statements supposedly* being made (as opposed to the narrative inconsistencies, etc.) are what prevent the viewer from having a good time, then maybe just perhaps we are all feeling a wee bit snow-flaky these days? Just sayin'.
- A person could argue the films are an impassioned defence of nascent Republicanism, determinedly moored to founding ideals informed by religious devotion. I'm not gonna make that argument, but it would be an easier sell than claiming the SWU is any sort of sustained Neo-Liberal argument for a Marxist Utopia.
Final note: Kelly Marie Tran is officially THE most ADORABLE person associated with the SWU. Somebody please put her in touch with Tom and Rita to keep that approachability alive.