Wednesday, April 22, 2020

10 albums 10 days, day 4: Permanent Waves, Rush

This is another choice where I really have no need to add to words I’ve already written — here, here, here and probably a few other places as well.

Instead, I’ll focus on my chosen female counter-weight to Rush — Heart, or the Wilson sisters.
"For Ann and me, it was always more about imitating guys, like Zeppelin and the Stones."
I still dig 70s-era Heart, with its 70s-era epic trippiness (or trippy epicness). Those sisters outright rocked. And they were Canadian!

Technically, they were Canadian only for a moment. But what a moment — their launching-point, basically. Mid-70s, patchouli-drenched Vancouver. Two girls delivering harder rock than most Canadian fellas at that time (I mean, The Guess Who were fun and all. But “hard rock”? Nah!).

Additional, highly recommended, words: over at The Believer Maura Kelly conducts a fabulous interview with Nancy Wilson.

Next...

Tuesday, April 21, 2020

10 albums 10 days, day 3: The Moog Strikes Bach, Hans Wurman

1970
Words here.

The gender alternative in this case is easy-peasy: Wendy Carlos’ Switched-On Bach.
1968
Looks like there is a Carlos biography forthcoming — one of life’s ironies, as the biographical subject is famously non-forthcoming.

Next...

10 albums 10 days, day 2: Welcome To The Ponderosa, Lorne Greene

I’ve chosen Welcome To The Ponderosa: An Evening Of Songs & Stories With Lorne Greene (1964) as the second album that informed my musical appreciation.
It includes Greene’s hit single “Ringo,” which was introduced to me by my grade five music teacher Don Hoepner. It laid the groundwork for my enjoyment of spoken word pieces set to music — including Lou Reed’s New York, “Whatever Happened To Gus” by Medeski, Martin & Wood, and Poitier Meets Plato.

Looking at that list, and indeed the nine other selections I’ve made, I’m noticing my choices are all fellas.

My mother would not approve.

Which is one big reason why the list is, reflexively, all male.

Hers was a forceful personality and as I wobbled toward individuation we had our share of impassioned arguments over what was, and was not, acceptable artistic expression. Late in life she admitted she wished her late-in-life take on this matter had been her early-in-life take. But that is the journey for all of us — or so we hope, and aspire to.

Anyway, there’s your nickel’s worth of insight into my psyche. Hopefully that warms the cockles of your heart somewhat, 'cos I’m sticking with my initial hetero-normative selections, but in deference to Ma (and our common humanity) adding gender alternatives as a sober second thought.

With the exception of Steely Dan. I just don’t know of anyone else, regardless of chosen gender pronouns, who even approaches doing what they’ve done. If you’ve got thoughts and suggestions I am all ears.

Oh, and I will be making two selections per decade, of the decades I have enjoyed existing in — kind of.

Alright, today’s alternative to Alpha Straight White Male Lorne Greene — Peggy Lee, Is That All There Is? (1969)
Absolutely killer. And may I just say: I am so glad I did not first encounter it at the tender age of 10.

More anon.

Monday, April 20, 2020

10 albums 10 days, day 1: Can't Buy A Thrill, Steely Dan

Over at Facebook it's become de rigeur to find your name highlighted in a post that says: "I've been nominated by [friend's name] to choose ten albums that greatly influenced my taste in music. One album per day in ten consecutive days. No explanations, no reviews, just album covers. Today I nominate [friend's name]."

Hey, purty pitcher wordlessness is a blessed relief if you're hanging behind the blue-and-white velvet rope, where the teeming masses trade COVID conspiracies or lock-yerself-down-with-a-mask exhortations. Those are shoals I strive to clear, for the most part. And silence from SWMs of my vintage and older is definitely the better course of valour in this day and age.

BUT.

C'mon, we're dealing with albums, fer crying out loud! Words need to be spilled!

So over here you will get all the verbiage you're missing in Zuckerberg's algorithmic clinic.

Unfortunately, there's little that needs to be said about album cover #1 that I haven't said already — here, here, here etc.

Thursday, April 16, 2020

Rattling in my brain-pan

First, the lighter fare:
Alright, now to the meat and potatoes reading.
  • The Open Psychometrics Personality Test is getting some link-love for being more in-depth than your average Buzzfeed caper. Results can be a source of deep ennui, apparently. If you take it, share the top-five alignments, won’t you? Mine are Gandalf (85%), Lester Freamon (The Wire, 81%), Dr. Strange (80%), Dale Cooper (80%), and Norman Wilson (The Wire, 79%). Mostly flattering, but that last match is a touch disturbing...
  • “He who successfully claims power in an emergency suspends and can destroy rational evaluation. The insistence of the physician on his exclusive capacity to evaluate and solve individual crises moves him symbolically into the neighborhood of the White House.”Ivan Illich. David Cayly takes effort to apply Illich to the seemingly unified response to the COVID pandemic. My own thoughts on the matter are a bit scattered. First of all, if my Facebook feed is any indication the response to the health crisis is anything but unified. I never thought I’d be nostalgic for the days of consensus reality, but that amber-hued wistfulness is surely MY reality, currently. Secondly, Illich will never be accused of pragmatism, which I have always thought the unfortunate Achilles heel in his critique.
  • Our Age Of Sincere InauthenticityFrank Bergon recalls Lionel Trilling and surveys the contemporary cultural land hell-scape we find ourselves in.
  • ‘Truisms are true, hold onto that!’ George Scialabba surveys Orwell and Rorty and a few others in a, perhaps somewhat Quixotic, effort to steer the Left aright.
  • “Years later, installed as an English professor at an even smaller Christian college, I’d recognize doppelgängers of my younger self and wonder if my own teachers had viewed me with the same mixture of distaste, pity, and affection.” In what might be the most thought-provoking read I have currently encountered this year, Michial Farmer considers the matter of failure, and two types of despair. Side-note, Farmer’s wife Victoria has been diagnosed positively for COVID-19 and is today entering that crucial fifth day of symptoms. If you would, please pray for them.

Thursday, April 09, 2020

Three albums by... John Prine

“Gary Shandling always said to me, ‘Don’t get mad, get funny.’ It changed my life.” — actor Rip Torn.
Somewhere in his life — quite early, I’d say — John Prine internalized the same strategy, and used it to profound effect.

Prine wrote and sang about gut-wrenching stuff — the sort of events that throw most people into a towering rage, for very good reasons. “Your Flag Decal Won’t Get You Into Heaven Anymore”; “Paradise”; “That’s The Way The World Goes ‘Round” — knee-jerk “Ready, aye-ready” military adventurism; conscience-less capitalist evisceration of small communities; addiction and domestic violence, respectively. Lou Reed would sing about this and leave a listener horrified, if morbidly captivated. John Prine sang about it, and threw in the sort of screwball observation only he could pen, nudging the listener into chuckles — and the tacit understanding that these horrors were more intimately familiar to us all than anyone was keen to acknowledge.

Wait, why am I smiling? Why am I laughing?

In concert Prine’s delivery was deceptively casual, often punctuated with a one-shoulder shrug, as if to say, Ah, it’s for other people to get mad about. I’m just a song-writer.

Not that Prine’s catalog is concerned solely with eat-your-spinach matters. A lot of what he wrote is just plain goofy. Some of it doesn’t make a lick of sense. Some of it is incredibly sad. And there are quite a number of songs that are all of the above.

I have a bunch of his studio albums, most of them released on his own label. But his live albums have received more hours of my attention than all of the studio albums combined. That’d be John Prine: Live, Live On Tour, In Person & On Stage. 
The stories and anecdotes that accompany these songs are all a hoot, and several are epic — and certainly epic in length. Audacity is a helpful tool here, for those playlists that oughtn’t to get bogged down by verbosity, no matter how entertaining it might be.

To be honest, I don’t listen to the third all that often. The croak that intruded on Prine’s vocal delivery after his second fight with cancer was just too damn depressing.

But now that voice is silent, which is so much worse.

He seemed to be a man for whom self-care was a distant concern — until it became a central concern. That he should die of this stupid virus after clawing back from two harrowing rounds of cancer seems somehow appropo to these crazy times we are all struggling to endure. I expect he’d have something to say about that — and it’d probably make me laugh. Then cry.

Rest in peace, John.

Saturday, April 04, 2020

“End Times Anxiety”

“Did my Fundamentalist up-bringing prepare me for Coronavirus?” asks Sarah Jones.

Jones appears to be roughly three decades younger than Yours Truly — it looks like she came of age while the Left Behind books were all the rage, though she makes no mention of this.

I had my own youthful brush with apocalyptica, but I went straight to the source. After many, many long and drawn out conversations with my father (who never in my lifetime self-identified as a Fundamentalist) I came to some peace over potential apocalypses. Eventually it was impressed upon me that there’s stuff you can control, and there’s stuff you have absolutely NO control over. And the latter list is much larger than most people realize.

The first list is probably larger than most people realize also, and that is what the optimistic humanist hopes difficult conditions might reveal.

Back to the subject, Jones seems ambivalent about what youthful exposure to apocalyptic literature “prepares” a person for, and fair enough. Throw something potentially traumatizing at a kid and there’s no telling the direction that kid will run with this particular ball of memetic fever.

Over at The Christian Humanist Nathan Gilmour has a wonderful interview with Psychologist-in-training Dan Koch about “End Times Anxiety” that touches on some familiar themes for me. Koch has his own podcast. I’m not sure my curiosity vector matches up with his, by and large, but I will definitely look into his case studies of people whose End Times Anxiety affected the direction of their convictions and character.
In fact, the Apocalypse came and went some time ago.