After Friday's viewing, I descended into slow roiling fit of crabbiness. When Saturday's paper arrived I pored through it, saving the Arts & Culture section for last because that's where I usually have the most fun. Not this time, however. The pages were devoted to Toronto's International Film Festival, and despite the various reporters' and essayists' best attempts, I just wasn't feeling the love. When I finally frog-marched the entire mess of newsprint over to the blue box, I thought, Honestly, who gives a $#@% about this -- any of it?
I didn't (obviously). Kids these days? Doubtful. They've got their own scene, and even the selfie-with-celebrity aspect of it tends to bypass Hollywood types on the red carpet in favour of YouTube stars occupying this side of the velvet rope.
No, I thought. Probably the only ones who care are the writers sent there by desperate newspaper conglomerates. "Theory Types," in their 30s and early 40s. A super small audience, to be sure.
So, yeah: Baumbach's flick definitely hit the sweet- (or sore-) spot for Yours Truly.
I used to care about film festivals. I can recall when Pulp Fiction won the Palm D'Or at Cannes in 1994. Quentin Tarantino was the subject of a long night's excited discussion over pints at the pub. We had Reservoir Dogs, True Romance, Natural Born Killers and now Pulp Fiction to consider -- what was this cat on about? Because he was clearly on about something.
I'm still friends with everyone at that table, and today I can't imagine discussing Tarantino for any longer than a few minutes -- one hour, tops. And I've got to the point where I'd prefer hearing Tarantino talk about movies to watching another one of his.
Has the scene changed, or have I? I expect the scene has -- I just can't be bothered to track where or how. And I've certainly changed, I know that. Most of my friends have, also.
Our conversation these days is devoted primarily to the concerns and well-being of children and surviving parents, then each other. After that we might talk film, and if Tarantino is the subject, the opening question would probably be, "Have you seen ___?" And if not, "So what's the last Tarantino flick you saw?"
That'd get discussion rolling, possibly even for a full hour. But it's hardly the purview of deeply invested aesthetes.
Anyway. No grand conclusion. Just me, getting older. Hoping you'll join me.
That is all.
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"You in the right theatre, son?" |
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