After Friday's viewing, I descended into slow roiling fit of crabbiness. When Saturday's paper arrived I pored through it, saving the Arts & Culture section for last because that's where I usually have the most fun. Not this time, however. The pages were devoted to Toronto's International Film Festival, and despite the various reporters' and essayists' best attempts, I just wasn't feeling the love. When I finally frog-marched the entire mess of newsprint over to the blue box, I thought, Honestly, who gives a $#@% about this -- any of it?
I didn't (obviously). Kids these days? Doubtful. They've got their own scene, and even the selfie-with-celebrity aspect of it tends to bypass Hollywood types on the red carpet in favour of YouTube stars occupying this side of the velvet rope.
No, I thought. Probably the only ones who care are the writers sent there by desperate newspaper conglomerates. "Theory Types," in their 30s and early 40s. A super small audience, to be sure.
So, yeah: Baumbach's flick definitely hit the sweet- (or sore-) spot for Yours Truly.
I used to care about film festivals. I can recall when Pulp Fiction won the Palm D'Or at Cannes in 1994. Quentin Tarantino was the subject of a long night's excited discussion over pints at the pub. We had Reservoir Dogs, True Romance, Natural Born Killers and now Pulp Fiction to consider -- what was this cat on about? Because he was clearly on about something.
I'm still friends with everyone at that table, and today I can't imagine discussing Tarantino for any longer than a few minutes -- one hour, tops. And I've got to the point where I'd prefer hearing Tarantino talk about movies to watching another one of his.
Has the scene changed, or have I? I expect the scene has -- I just can't be bothered to track where or how. And I've certainly changed, I know that. Most of my friends have, also.
Our conversation these days is devoted primarily to the concerns and well-being of children and surviving parents, then each other. After that we might talk film, and if Tarantino is the subject, the opening question would probably be, "Have you seen ___?" And if not, "So what's the last Tarantino flick you saw?"
That'd get discussion rolling, possibly even for a full hour. But it's hardly the purview of deeply invested aesthetes.
Anyway. No grand conclusion. Just me, getting older. Hoping you'll join me.
That is all.
"You in the right theatre, son?" |
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