I've got three Criterion DVDs, and these are two.
arty-farty crowd, to which I cheerfully cop pretensions. Even when Criterion re-releases kitsch, camp or meatball action films, it pads the prime attraction with serious commentary -- printed and recorded. Sauce for the goose, you'd think.
They tend to be pricey affairs, however -- costly enough to force reconsideration. Does this release truly qualify for the limited shelf-space on my Wall Of Plastic? More often than not, the answer is a clear "no."
I have owned close to a dozen, in my day -- but after a viewing or two I've given them away to friends whose passion for the particular flick greatly exceeds my own. Those are gifts worth giving, let me tell you.
I can't think of anyone, however, who might be into these two Orson Welles enterprises. Mr. Arkadin and F Is For Fake qualify as curiosities to most cinéastes -- good for a look or two, depending. I find them both rather troubling, in ways that some of Welles' more celebrated features are not. The short explanation: it seems to me Welles was haunted by the elusive spectre of authenticity.
And if you think about that for any length of time, you become haunted as well.