Thursday, December 31, 2020

Rattling in my brain-pan

  • The Thomas Jefferson Bible is a historic curiosity-slash-oddity. Over at the New Yorker Vinson Cunningham places the book and its creator in historical context. When contrasted with the Bible of Frederick Douglass and Martin Luther King Jr., Cunningham finds the Jefferson Bible — to put it mildly — wanting. This is a deeply nuanced and frankly disturbing portrait of a particular personality and the eras that were shaped, for better and for worse, by it.

  • I had forgotten what a dismal year 1990 was for movies. This was a year when I could, and did, attend at LEAST one movie a week. If I look at the box office for '90 only four American titles jump out as being exceptional: Goodfellas, Joe Vs. The Volcano, Jacob’s Ladder and Total Recall. Kinda sums it up, really. Peter Sobczynski’s (misguided) attempt to give a fair re-viewing of Brian DePalma’s The Bonfire of the Vanities is what put me in this reflective state. And while I appreciate Sobczynski’s intellectual efforts . . . really, that movie is an appalling train-wreck no matter what lens you see it through.

  • American Utopia on Broadway: Original Cast Recording is the album that received the most play from me this year. I did not attend Byrne’s Toronto concerts. Nor did I see the Broadway show. And I haven't yet queued up Spike Lee’s movie of the show. But I'll get to it — eventually. Right now I’m enjoying what the music itself conjures for me, and I don’t want the visuals to get in the way. At LARB Sarah Black McCulloch sorts out what makes for an exceptional concert movie — This Should Be a Movie: “American Utopia,” the Concert Film, and Extending a Terrific Moment.

Thursday, December 24, 2020

Vintage Whisky, 2020

2020 — I think we all scrambled to find our footing just a bit, no? In March I attempted to reconnoiter the waters ahead, here and here. In December it all came back to the guitar.

Other matters:

Mennonites

Movies

Music
Miscellaneous

Chilly Gonzales, A very chilly christmas

Some welcome and personally recommended new musical renderings along Christmas themes. 

I tend to skip the few tracks with spoken-word performances — dear performers, it’s not you it’s me. But the strictly Chilly tracks are exactly right for me, right here right now.

Chilly Gonzales, A very chilly christmas

Publish or perish?

My friend shuttered his blog this summer. I was sorry to see it — his posts always prompted me to up my game. When I asked him about it, he quoted Dionysius the Areopagite: “Let your speech be better than silence, or be silent.”

We hashed it out a bit, he and I. At that time I was having a minor crisis over the content here. It seemed like there was a winnowing of subject matter taking place that had nothing to do with my interests, investments or desires. Not only was the injunctive to “Stay in my lane” disconcerting, I was forced to question if a lane for me to stay in actually existed. Suburban, white hetero-normative cis-gendered Gen-X Anabaptist male, happily married, committed two decades to raising two daughters, one of whom, in recent years, declared himself “Trans” — no lane for you, mate. Best to shut up and let it roll.

I considered taking a sabbatical, but knew it would be the death-knell for my blogging. And for reasons I couldn’t quite name, that did not “feel” right.

This morning while lightly perusing posts which might qualify for “Vintage 2020 Whisky” I spotted a dropped thread — a casualty of said crisis, and not an insignificant one. The Bible vs. Walt Disney: my Scylla and Charybdis? launched a particular inquiry in a particular direction, and was pretty much 100% in my lane. It needed capping — maybe doing so might unveil justification to keep going with this business.

A quick recap: Walt Disney was “just so tired of remembering it that way — well, so was I! I wanted to write fantastic pulp sci-fi — my grade 8 English teacher wanted nuanced reckoning with contemporary Mennonite concerns. Later, my Creative Writing prof confirmed my worst fears — if I was going to do this fiction thing, not only would I have to read a lot of crap I didn’t want to read, I’d have to write it, too. I was approaching full-circle.

It is by now a common observation that social media have given everyone a platform to let their voices be heard, thus revealing how little there is worth saying. There is a flip-side to this (to my mind rather suspect) judgment call — internet access to world wide collective media has revealed just how far removed these corporate entities are from humanist concerns. A casual observer can see it at a glance — the ledes at the pages of WSJ, NYT, CNN, Fox News, etc all have their toes tight to the line. These are all competing with each other in aid of becoming The Mono-Culture. You want to talk “intellectual content”? That particular print of wallpaper has become faded and thin.

Blogging is self-publishing. My tribe has been doing it for centuries, putting out stuff that’s every variety of regrettable, alongside unexpected material that illuminates previously hidden facets of existence.

Is it better than silence? Damned if I know. But when I look at what I produce for others, I tend to think I haven’t done nearly enough self-publishing — blog-posts, fiction, songs plays poetry recipes and psalms . . . what’s holding me back?

Thoughts to explore in a future post, perhaps. Or not.

Hope to see you in 2021 — please be well.

The Truth is marching on!

Saturday, December 19, 2020

Whisky Prajer’s 2020 Year In Review — A Miscellany!

Two-faced so-and-so that I am, I’ve cooled on “end of the year” lists, but here are two I very much appreciate:

And now: Whisky Prajer’s 2020 Year In Review — A Miscellany!

Last movie I saw in a theatre:

  • Star Wars, thanks to a Disney attempt to nudge the box office stats by lowering tickets to $5. Enjoyed watching it with the younger. Prior to that we drove out for Parasite after Bong Joon-Ho won the AA. In both cases I was dispirited by just how many screens were competing with the silver screen I’d paid to see. It’d be nice if every ticket purchase was preceded with a EULA: “By hitting ‘purchase’ the customer agrees to keep cell-phone activity restricted exclusively to the lobby, on penalty of complete forfeiture of theatre access.”

Movies I was set to drive out to, before . . . you know:

  • Dune — after missing Contact in the theatres it’s now my policy to watch Denis Villeneuve on the large screen.
  • James Bond — I’ve gone back and forth on this, and might some more. Craig’s 007 cooled on me faster than I could ever have anticipated. Still, spectacle on this scale is best served as large as possible. So, who knows?

Songs that forced me to pull over and clear my eyes:

  • The live version of “Spirits Will Collide” by Devin Townsend. His latest hasn’t moved me as much as his earlier stuff, so I was not expecting this.
  • Church House Blues” by Crystal Shawanda — another pleasant surprise. The entire album rocks, in fact, and her cover of Tragically Hip’sNew Orleans Is Sinking” is exactly what a cover should be — a repossession so thorough it takes place at a cellular level and becomes Shawanda’s song. There isn’t a weak link anywhere on this album.

Games I finished:

Book I most enjoyed:

  • 2020 was mostly about re-reading, actually, and the few new titles I did read to conclusion were not well-served by my 2020-altered focus. However, Andrew Unger’s Once Removed was the pleasant exception that broke through my fog and took hold of my consciousness. Review forthcoming.

Most satisfactory acquisition:

  • A blonde Squier Classic Vibe '50s Telecaster, made in Indonesia. 

There are so many wyrd eddies and sworls that looped around this instrument finding its way into my hands. First of all, I’ve never liked the look of 'em. Telecasters always struck me as a little blocky, while the Les Paul looks like Rock ‘n’ Roll, or The Blues, or Jazz — just about any genre you care to name. Telecasters look like Merle Haggard (not that there’s anything wrong with that).

Secondly, I made the purchase physically, immediately after lockdown ended. I phoned Long & McQuade in Oshawa and asked them to set it aside for me, then drove down to try it out. It was a brutally hot day. When I got to the store, things were busy, though not disturbingly so.

That changed. People kept arriving, the store got fuller, and finally a staff member leaped to the door and locked it until the situation was back under control.

Meanwhile my phone was ringing. The psychiatric assessment my wife and younger daughter were attending had concluded with my suffering kid being remanded into emergency custody for the first time. I took this news while dumbly holding a guitar that now struck me as an utterly dipshit whim. I hurriedly bought it — in the box, not strumming so much as a single chord — threw it in the trunk and took it straight home. During the ride the calls continued as we tried to sort out the various “What do we do now?” scenarios, all of which were complicated by COVID.

It was some days before I took it out of the box and plugged it in. My heart wasn’t in it, to say the least. But I did some basic explorations, jigged various settings, and to my surprise found myself playing this guitar differently than I was my others — including, especially, the LP. The Tele was pulling me in unusual directions, prompting different expressions, suggesting new routes and avenues to check out and play in.

It felt like a gift. It still does.

More anon, hopefully. Safe holidays to you and yours, and Merry Christmas.

Monday, December 14, 2020

“Vintage Whisky”

Pull up a chair, get comfy...

Each year links to a culling of posts I think stand up best from that particular trip around Ol’ Sol. And as ever, Dear Reader, thank you for giving me a sliver of your beleaguered attention-span — thank you, thank you, thank you.

Thursday, December 10, 2020

The Great Emergence: How Christianity Is Changing And Why

The Great Emergence: How Christianity is Changing and WhyThe Great Emergence: How Christianity Is Changing And Why by Phyllis A. Tickle
My rating: 3 of 5 stars

Tickle provides a brisk and breezy overview, predominantly of Western Christianity, with North American Christianity given particularly close consideration as she attempts to chart possible courses forward.

There are a number of trenchant critiques to be found here at Goodreads and elsewhere, and certainly my marginalia pen was kept busy as I read. But in the main, Tickle’s book lays out a readable survey of Church history that every North American Protestant ought to be familiar with — OUGHT to be familiar with. Hey, if some of what people are gabbing about here is new to you, why not pick this up and give it a little of your own attention? A reader could do much worse.

Supplementary material: Diarmaid MacCulloch’s Gifford Lectures on Silence Within Church History covers the same points of divergence Tickle does, plus a great deal more — and very engagingly (thanks, Paul!).

Plus: my earlier reaction to what I was reading in The Great Emergence still pertains.

View all my reviews

Monday, December 07, 2020

The Force, Don Winslow

 The ForceThe Force by Don Winslow
My rating: 4 of 5 stars

When Winslow wrote Savages he sorted out exactly how to turn the heat of his prose up to 11. His subsequent novels were all immediately addictive reads, and The Force is no different. It is tempting to compare his prose to that of James Ellroy, another hardboiled stylist keen to punch through readerly indifference. To do so is to highlight Ellroy's inefficencies -- Ellroy's roster of characters is larded with indecipherable psychopaths whose motivations are opaque, while Winslow's bunch are epically compromised, to be sure, but explicable in their motivation. And in Winslow's world there are consequences that cannot be forever dodged.

I was initially cool toward Winslow (I'm not a fan of Dawn Patrol) but he has utterly won me over. One of the most exciting pulp novelists in 21st Century America.

View all my reviews

Thursday, December 03, 2020

The peculiar catholicity of The Hudson's Bay Co.'s building at Portage Ave. and Memorial Blvd. in Winnipeg

Dear P___ -

Thanks for the newsflash. Wow. I knew Winnipeg’s flagship Hudson Bay was in trouble, and I accepted (at least in theory) its imminent closure. But a closure of this magnitude is momentous, isn’t it? Shakes the soul just a bit.

You ask if I have memories of The Bay. I could fill a book, you sly devil! But here are two in particular.

The first is a Christmas memory, probably from 1985 or so when I was just launching into my 20s (35 years ago — yikes). 

I was working in a camera store with my childhood buddy Kaz, who’d got me the job. Our boss, BT, was a super-sharp guy maybe a decade older than us. BT wasn’t so much happily married as he was ecstatically married. At a time when vanity plates were a rarity, BT’s Volvo had plates engraved with his wife’s first name. As he sorted out the business, he’d check in on the status of our suitoring, or lack thereof. BT encouraged us to get out there, sharpen our skills and make something of ourselves so we could do as well as he had — in the marriage department, that is. There was never any doubt among the three of us that he was the only one with any business savvy.

Every once in a while he’d find some reason to bring in his younger sister-in-law, Sara — a girl our age. She was, of course, very lovely, vivacious, terrific fun to be with. Kaz and I idly wondered if BT wasn’t attempting to set her up, but the point was moot — we both had enough self-awareness to realize that next to her we were, if amiable enough company, utter laggards. She was an artist, a sharp wit, the youngest child of Viennese émigrés. To be sure, Kaz and I held to the delusions of grandeur that possess any lad in his early 20s. But we both knew beyond any doubt whatsoever that until one of us could offer yearly trips to Vienna neither of us was anywhere close to Sara’s league.

This particular Christmas Kaz and I closed the shop then walked down Portage Avenue to The Bay to check in — at her own request — on Sara. She was working the perfume counter on the main floor, and when she saw us shuffling over and grinning from ear to ear she lit up. 

Literally. She was a smoker and we were her smoke break.

We kibitzed and flirted and it all seemed so incomprehensibly glamorous and adult. The Bay Main Floor was an adult place where one encountered adult finery — furs, suits, footware with Italian names etched into the soles, perfume. Expensive stuff, all of it. Including Sara, who was being impossibly generous and kind.

I don’t know what Kaz and I did after that. Odds are we hoofed it through the bitter cold and spent an hour or two at one of the neighbouring arcades, letting go of money we were never going to spend on a trip to Vienna.

The second memory is of the same vintage, probably my final year of studies at the University of Winnipeg. Between classes and work I drank a lot of coffee, more often than not with Terry, also a childhood friend from the 'Bach. For a change of scenery Terry and I would occasionally leave campus and head for the coffee shop in the Bay basement — “the Bay am Kjalla,” in the vernacular of our tribe.

Though separated by only a single floor the Bay am Kjalla was the ramshackle Yin to the Main Floor’s rarefied Yang. We understood from childhood already that the Bay am Kjalla was where a person could buy a single shoe, or underwear that had been re-packaged. If a can of soup was too rich for a student’s blood we could drop a quarter for a bowl of it in the Bay’s basement cafeteria.

No soup for us — Terry and I were there to drink coffee and bear one another’s family travails, while casting glances at customers sorting through dishevelled wares.

“Hang on. Isn’t that D’s mother?”

I looked. Sure enough, over at the Malt Shoppe stand was an elegant woman in a fur coat, ordering a plate of cheesy nachos.

I was floored.

D was a high-school buddy, and whenever we visited his home his mother would present us with deceptively simple fare for us to nosh on. Just one example: split croissants, with lox and pickled red onion. This was nothing like the tuna melts we enjoyed at other friends. Her food was always a revelation.

Watching her receive a paper plate of reheated corn chips smothered in processed cheese was also a revelation, one discomfitingly intimate — like witnessing an Anabaptist foot-washing, or a communicant’s reception of the Host.

Both these moments kinda set me up for adulthood, in a way. The dance, the negotiation for balance. Aspire. Accept. Give pleasure. Accept pleasure. Be humble. And always be generous — always. All in this one physical space.

I hope kids these days have a similar physical space somewhere — a place to observe, and observe yourself observing. Or maybe that’s just my reflexive nostalgia slipping into high gear. I mean, the place was a frickin’ STORE, for crying out loud — it wasn’t a cathedral or art gallery.

But that’s probably what set The Bay apart from other shops. Folks who shop at Harry Rosen’s do so because Harry Rosen sells one particular tier of goods to one particular tier of customer. The Bay sold some of that. The Bay also sold irresistibly cheesy nachos. It was, in this sense, a catholic institution.

I miss it already.

End-note: I thought the bit about “a single shoe, or underwear that had been re-packaged” sounded troublingly familiar, so I did a quick search. Lo and behold I’m plagiarizing myselfsomebody cancel me! So: was the incident with D’s mother in Eaton’s, or the Bay am Kjalla? Probably the Bay, to be honest (Terry says he remembers the moment). But the two cellars were nearly identical, and Terry would often visit me at Astral Photo in the Eaton Place Mall. We would go to Greenjean's for the draft beer, Buffalo Chips and ees schmaunt (did someone say, "Hats Off"?).