I haven't seen so much as a single minute. I did, however, see about seven or eight minutes of the red carpet -- just long enough to catch
this supremely awkward "family moment" between
Melanie Griffith and daughter
Dakota Johnson. The movie in question is
Fifty Shades Of Gray, and it is a rare mother who would express enthusiasm for watching her daughter enact a too-tart-to-be-vanilla sexual-coming-of-age story. But then Griffith is a rare mother for having taken similar risks and roles back when she was her daughter's age, in
Body Double and
Something Wild. Has Ms. Johnson troubled herself with either of those movies, I wonder?
Mother and daughter fled the interviewer, and I the television, opting instead for my usual Sunday night old duffs' hockey game. The fire in the hearth was tempting, but resistible. Had I stayed, I'd likely have had too much wine, to counteract the gnawing existential dread spurred on by the glowing flat-screen. As it was, the evening yielded no goals, but two assists, and some accomplished defense, followed by a hot shower and a good night's sleep. More than reward enough.
Something else I haven't seen:
American Sniper. I'm lukewarm-to-cool on most Clint Eastwood movies. The last movie of his I saw on the big screen was
Unforgiven, and ever since then I've adopted a Wait-For-The-Video policy. But even sight unseen it's safe to say this latest flick is something of a phenom. In
Michael Moore's words,
it's bringing out The Passion Of The Christ crowd. Speaking of Moore, I'm generally lukewarm-to-cool on his agitprop, but
he does give a good interview. As for Eastwood's movie, I figure any flick that gets people talking this much about
what a movie does is a good thing, for everyone.
That last link (
again) is from the
Roger Ebert website, and man, do I ever miss him after last night. I would have loved to hear his reaction to
Selma, and the Academy's non-reaction to it.
Matt Zoller Seitz stands in for Roger and
makes the case for
Selma. True to form, however, the Academy instead awarded the movie about show-biz. For a peek behind the votes, here is one Academy member's
brutally honest evaluation of the ballot.
But to close with Roger Ebert, every once in a while someone in the biz shows up on the site to plug their favorite Ebert piece.
This is mine. He had other observations about his Calcutta trip, all worth reading (type "calcutta" into the site search engine). With the exception of, and just prior to, his illness and debilitation, his time at the Calcutta Film Festival changed his writing more than any other life event.
